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I think you're just saying the redundant plugins aid in signal visibility. I can appreciate that but I don't know why you're saying this is a post-fader style workflow. if we look at Track 2, the track's fader doesn't impact the signal nor does the fader on the Track 2 bus. All we're really doing here is kind of hacking around the pre-fader limitation by manipulating the signal with (redundant) plugins before moving it around. Am I missing something?